Archive of Our Own

He’s not surprised by it—you’re not the first neighbor he’s had, only the first he’s met. He knows how thin the walls are now, and has long passed the point of finding it annoying. He listens as the sound of your taps coming on filters through drywall and insulation at a low hum, thinks he can hear the buzz of an electric toothbrush. He wonders if you can hear his razor going as he trims his mustache.

It feels nice to have this odd company, he thinks. The two of you, going through the same motions. It strikes an old, abandoned chord—he hasn’t woken up with anyone in a long, long time.

He puts his razor down and squashes the thought flat. His neighbor—his kind, pretty neighbor—does not need him to think like that. Even if your eyes had traveled the length and breadth of his body before making it to his face.

He meets his own eyes in the mirror, giving himself a flat look. He isn’t used to civilian life. Answering the door shirtless had probably been some sort of faux pas. If you’d been looking, you’d probably been more disconcerted than anything else. That’s the long and short of it, he tells himself, because there’s no room for anything else.

John is never very good at being home. The things that keep him alive out there—hyperawareness, sharply defined mission parameters, strict operational regimens—are, at home, needs that go unmet. Liverpool is not a popular terrorist hotbed he needs to pay attention to. He isn’t going to die if he forgets to buy milk. And he can only go to the gym so often.

But he needs something to do, or he’s going to go crazy.

So today he does on leave what he dreams of in the field: he has his first of two showers for the day, makes himself breakfast in his own kitchen, and turns on the telly for the noise. It’s some dumb morning show, with too-clean hosts shilling for weird kitchen tools. Easy to ignore.

Inevitably, he thinks about Mexico. About Shepherd. About Chicago, and Hassan, and Laswell telling him he needs to get some goddamn rest before he kills himself trying to stop a war that isn’t even happening.

“Yet,” he’d ground out.

She’d just stared at him with dagger-sharp eyes and told him to go home.

John bites into his toast harder than a grown man told to take a fucking vacation should, and turns up the volume.

Three soft, polite taps sound on the wall.

John blinks. Remembers the previous morning, what he’d said to you. The remote is in his hand before he thinks about it, the mute button depressed beneath a quick thumb.

The quiet is like the end of a gunfight. Unsteady.

He waits. He doesn’t know what for. The silence stretches. He notices a shaft of sunlight coming through his window, little motes of dust dancing in the air, as he looks around his own flat for some reason. It’s habit—surveying a battlefield after it’s been passed over by violence.

He looks back to the space above the TV. Rises carefully from his seat. Goes over to the wall.

Raps his knuckles twice against it. All good?

Immediately there are two taps in response. Yes, thanks! And the break of the still silence is like a soap bubble popping. John breathes, and then realizes he hadn’t been.

There are no further knocks. It disappoints him, but he does not expect them. It’s just a friendly interaction between neighbors.

It doesn’t matter. It feels like something has unknotted in his chest.

He feels almost like a voyeur as the day goes on. He hears when you work in your kitchen, notes the muffled clang of a pan on the stove. He hears your dishwasher run later, and briefly wonders at the utility of using it for so few dishes.

You’re on the phone at one point, but he can’t make out the conversation. He only half-tries to, but the even the indistinct, low sound of your voice is comforting. It reminds him of late nights in the barracks, listening to bunk mates talk while trying not bother anyone else. The closest to domestic comfort John has really ever had.

You turn music on at one point, something soulful and a little moody. John thinks it might be Marvin Gaye, but he’s not sure. The urge to knock on your door and ask is a strong one, but he doesn’t think you need a lonely old soldier bothering you in the middle of your day. At least, not any more than he already has. And before he can figure it out for himself, he hears you exclaim “Oh, shit!” and the volume immediately drops.

He has to smile at that. It’s a rare luxury for him to experience these days, that kind of consideration.

Something in his chest gives a little jump when he hears two knocks on his wall again. Sorry, he thinks you’re saying.

He knocks twice back. All good.

He should not feel so invigorated by this exchange.

You leave the house a little after noon—he hears your door open and close, and the jingle of keys followed by footsteps quickly retreating. Then, your noise is gone.

John and silence do not go well together. Too quickly, the quiet closes in, and John thinks if he stays in his own home a minute longer he’ll suffocate from it—so he takes your cue, and leaves. He isn’t really sure what to do, but he has to do it anywhere else.

He gets home after you do, sore from the weight racks and full on pub food and a few pints. The sky is dark and the sidewalks are illuminated in yellow lamplight, and the air hums with the wind of cars driving in the distance. He sees your window lit up bright and warm, and the relief it fills him with is disproportionate to how anyone should feel knowing that their neighbor is home.

Where did you go during the day, he finds himself wondering? What are you making for dinner? What will you do once you’ve eaten?

John realizes he’s standing there staring at your window, and scowls at himself. He’s a fucking creep, that’s what he is. A pretty neighbor talks to him once, fucking welcomes him home like any nice person would, and suddenly he’s pining like a stupid little schoolboy.

He goes inside. Hears you in your kitchen again and convinces himself he’s ignoring it. Tries to find something to stay awake with. Has one cigar more than he’d planned for the day, and thinks at least he’ll get to go out and get more sooner—something to do with the wealth of time he didn’t ask to receive.

He’s already in bed, second shower finished, when he hears activity on the other side of the wall. He hadn’t really been falling asleep, but he’s wide awake now, and feeling like a pervert as he listens to your bath come on.

He hasn’t gone to bed with anyone in a long time, either.

John lays there in the dark, eyes open, and tries to ignore how easy it is to breathe as the water runs muffled only a few feet away. He doesn’t acknowledge the fact that he can hear again the tiny buzz of a toothbrush a little after the flow shuts off. He listens to the creak of your bed and does not think about how warm your skin must be, how softly the sheets must fall around your body.

He closes his eyes. He tries to sleep. He isn’t thinking about listening to your breathing beside him. He isn’t drifting off imagining the smell of your hair on his pillow…

He hears a tiny buzz again. Brushing your teeth a second time? No, it’s closer now…

Oh. OH.

John’s eyes fly open. Your bed creaks again. He is rigid under the covers, every muscle tensed. He breathes consciously, testing the limits of his diaphragm, counting to three between each inhale and exhale. He is desperate that his pulse remain even, that his blood refrain from rushing through his ears and other parts.

A small sound. Breathy. Low.

John slaps his hand against his thigh before it can move any further inward. He curls his fingers around the hem of his briefs, grips the fabric as if it’s going to save his damn life. Clenches his other hand into a fist, digs his nails into his palm.

What expression is on your face? What is the scent of your toothpaste on your breath?

What angle are you holding that vibrator at?

You give a low moan again.

His breath shallows out. John considers giving the wall a tap but dismisses the option immediately and ruthlessly. He will take his secret audience to the fucking grave. And he’d shoot himself before denying you this—and, he thinks shamefully, denying himself this, too.

He should get up. He should go into his living room and give you privacy. Your bed creaks again. He remembers his own mattress tends to the same disruption. He can’t move, because it would effect the same outcome as a knock—you’d know exactly how thin the walls are, know that he’s right there and that he’s only leaving after he’s already gotten an earful.

Another sound, higher. John isn’t sure he’s breathing anymore. What did your skin feel like? Would his fingers fit you better than that toy? Would his cock?

He thinks he feels a nail break skin. He tries to think of anything other than the throb of blood and heat between his legs, between your legs.

You give a sudden, high-pitched cry, one that abruptly cuts off.

John knows you’ve buried your face in your pillow to quiet yourself. His entire body twinges with the disappointment of it. He breathes so lowly as to be silent, to give space to your noise, and waits.

But the buzzing stops. Your bed shifts again, and then all is silent.

Wait. What?

Was that it?

The silence stretches. John does not move. That was it.

John does not think about how much longer he could’ve made that last. He does not think about teasing you with his hands, his lips, his tongue. Does not picture your legs hung up high on his hips.

His cock aches. He ignores it.

The gym tomorrow. And then a run. Maybe a drive to the coast, and a dip in the cold ocean.

It wouldn’t be enough, but it had to be something. John isn’t going to get a minute of sleep, and he’s going to be hearing that cut-off moan for a long, long time.