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"The fuck are you doin'?" He asked, sandwich half lifted to his mouth. Ian had already slipped the tube back in his pocket by the time he got the ability to form (non-judgmental, knee-jerk) sentences again.
"Finishing lunch?" Ian replied, raising an eyebrow and waving the crumpled paper packaging of his own sandwich.
"No, the fucking lipstick or whatever the fuck you just took out," Mickey said. Leave it to Ian to ignore the obvious fucking thing he was talking about.
"My chapstick?"
"Your what?"
Ian just laughed slightly. "There's no way you don't know what chapstick is."
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Or, Ian starts wearing chapstick and Mickey can't stop looking at his mouth.Bookmarked by gencvalya
19 May 2026
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make a deal with the bad wolf (so the bad wolf don't bite no more) by cosmicallycatastrophic
Fandoms: Shameless (US)
29 Nov 2021
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"Mickey smokes his cigarette and Lip listens to his breathing. They don’t say anything, and he doesn’t mind.
Eventually, Mickey throws his butt on the ground and gets up, popping his shoulders as he goes.
“Gonna make sure your brother isn’t fucked up off two beers,” he says, and Lip nods absently.
He sits there a while longer, and almost wishes Mickey hadn’t left."
snapshots of Lip and Mickey becoming friends, post series 11.
Bookmarked by gencvalya
16 May 2026
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There’s truly no one cuter than Ian - not even close - with his big doe eyes, and his sweet little smile, and his soft copper curls. He may be six feet tall and thicker than a redwood, but he’s Mickey’s baby. His good boy. And the instant he moseys his way into the living room, none the wiser in his big ol’ hoodie, Mickey knows their exact plans for the rest of the night.
He’s gonna baby the hell out of this man. And then he’s gonna fuck him stupid.
Bookmarked by gencvalya
21 Mar 2026
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Mickey wasn't calling him with his usual arsenal of nicknames. A few still made some appearances, albeit much rarer than before. "Tough guy," a teasing one once in a while (it sends a thrill down his spine, most times, the way Mickey looks at him when he says it). "Gallagher," when Mickey was pissed (this one sends a chill, not in the good way, he always knows he's in trouble when he hears that one). But Lip was right, most of the time Mickey calls him by his name.
"Get your ass over here, Ian."
"Ian, what was the song we heard on the radio?"
"What kinda rabbit shit are you trying to feed me now, Ian?"
And of course, his favourite: "Love you, Ian."
So lately, he's been thinking about names. Specifically, his name in Mickey's mouth.
Because whenever anyone else calls him by his name, there isn't a strong reaction. Sure, it'll get his attention. He'll introduce himself as Ian, so it isn't surprising he hears his name multiple times a day.
But with Mickey? It's different. He knows there's something distinct about the way he says it, but he can't quite place his finger on it.
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Or, Ian tries to figure out why it sounds different when Mickey calls him by his name.Bookmarked by gencvalya
18 Mar 2026
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Ian Gallagher worked hard for this. He's in his senior year of a music scholarship, conducting the first undergraduate orchestra. If the first concert of the year goes well, he might even get noticed by someone who can help him get a conducting gig after he graduates.
But to get there, he's got to work with a principal violinist, Mickey Milkovich, who seems more intent on riling the entire orchestra up and starting fights with first flute and the viola section leader.Bookmarked by gencvalya
28 Feb 2026
